100 Awesome Independent Album and EP Releases You Probably Missed in 2019

Welcome to the FIFTH annual list of independent albums and EP’s that probably slipped under your radar this year. I’ve been in the music industry for over a decade at this point (I know right?!) and it continues to floor me just how much talent is out there.

Yet here we are again, with even more incredible music for you to sink your teeth into. One of the truest things that keeps me creating these lists year after year is the excitement I derive from the serendipitous discovery of these wide swaths of creativity. Sometimes the best artistry emerges from the best-kept secrets.  🤘🎸

Since 2015, I’ve given you lists of 100 independent albums and EP’s you probably missed during the year. Here they are:

And so, here is the 2019 list in all its glory. I’m equally excited for the new crop of artists here as well as for those returning again. A healthy helping of the content on this year’s list is from artists I’ve known for years and who continue to crank out new material. It’s all balanced by an influx of new content from new artists whom I’ll certainly be keeping tabs on into the new year.

As with all previous lists, these 100 albums and EP’s come from artists all over the world. This year’s list includes artists from: Canada, Greece, Germany, Spain, Austria, Hungary, France, almost ALL of Scandinavia (Sweden, Norway, Denmark, and Finland!), Australia, Estonia, Argentina, Mexico, the Philippines, New Zeland, Indonesia, Switzerland, Italy, Russia, Bulgaria, the U.K., Poland, and 21 different U.S. states. The independent world is massive.

It’s always interesting to see what each year brings in terms of style and genre, and this year’s list seems to heavily feature classic garage punk, pop-punk, shoegaze, alternative, metal, folk rock, and hard rock material.

With all that out of the way, here are 100 of the independent albums and EP’s that you probably missed in 2019. All were released during the 2019 calendar year.

As always, albums are in no particular order.

Remember, if you dig this and want to see more, follow me on Twitter @adammarx13 and let’s talk music, tech, and startups!

Come take a peek under the radar at the material you probably missed this year—live in my music world for a little while. 😎👍

 

1. What Happened To Us? (Vol. 1)The Head — Atlanta, Georgia, USA

What Happened to Us

2. Breathe In ColoursForever Still — Copenhagen, Denmark

Breathe in Colours

3. GhostBloody Diamonds — Toronto, Ontario, Canada

Ghost

4. I’m The ReaperThe Beautiful Monument — Melbourne, Australia

I'm The Reaper

5. Gone Off the EarthFelic — Helsinki, Finland

Gone Off the Earth

6. Far CanalFox Ache — Brisbane, Australia

Far Canal

7. EphemeralWe Are The Catalyst — Gothenburg, Sweden

Ephemeral

8. Hannah Wicklund & The Steppin Stones on Audiotree LiveHannah Wicklund & The Steppin Stones — Los Angeles, California, USA

Hannah Wicklund Live

9.  Retrospective | ReactiveHave No Clue — Esztergom, Hungary

Retrospective, Reactive

10. Mourning Vibes IIDownStater — Quebec City, Quebec, Canada

Mourning Vibes II

11. When Daughters & Sons RevoltPast Tense Of Never — Graham, North Carolina, USA

When Daughters

12. Show Me Your TeethBeth Blade and the Beautiful Disasters — Cardiff, Wales, UK

Show Me Yourth Teeth

13. The Extinction of UnicornsThe Dead Love — Sydney, Australia

The Extinction of Unicorns

14. The Wood Room SessionsJust Like Honey — New York, New York, USA

The Wood Room Sessions

15. Useless HandsRival Town — St. Catharines, Ontario, Canada

Useless Hands

16. Not So BoldDance Contraption — Grand Rapids, Michigan, USA

Not So Bold

17. Main Street RevivalMain Street Revival — Ottawa, Ontario, Canada

Main Street Revival

18. Crowned In FrostFrozen Crown — Milan, Italy

Crowned In Frost

19. Come What MayOh See Demons — Bergen, Norway

Come What May

20. How Your Life’s Played OutMontgomery — Toronto, Ontario, Canada

Howw Your Life's

21. Alone in the DarkIn Good Nature — Boston, Massachusetts, USA

Alone in the Dark

22. Brand New WorldDesert Queen — Tartu, Estonia

Brand New World

23. Asleep in the Deep EndAndross — Philadelphia, Pennsylvania, USA

Asleep In The Deep End

24. It Was BeautifulFawner — Bristol, England, UK

It Was Beautiful

25. TrayaSet Fire — Boston, Massachusetts, USA

Traya

26. Notti di FolliaOut For Summer — Moderna, Italy

Notti di Follia

27. SliceSpo — Salt Lake City, Utah, USA

Slice

28. Feeding The VoidHysteria — Dresden, Germany

Feeding the Void

29. Here & Now (EP)Dangerfield — Brisbane, Australia

Here and Now EP

30. CelebrationCityState — Holyoke, Massachusetts, USA

Celebration

31. Dream LivingLost Mind — Torrelodones, Spain

Dream Living

32. So It BeganSilvernite — Greece

So It Began

33. Bridges We Build | Bridges We BurnTeresa Banks — Helsinki, Finland

Bridges We Build, Bridges We Burn

34. SerenitySaint Raven — Salt Lake City, Utah, USA

Serenity

35. Two SidesDirty Rugs — Seattle, Washington, USA

Two Sides

36. ATERAZea Mays — Bilbao, Spain

Atera

37. LP1Clouds & Satellites — Savannah, Georgia, USA

LP1

38. Three on Three EPJack Droppers & the Best Intentions — Grand Rapids, Michigan, USA

Three on Three EP

39. CRAFTING EPCRAFTING — Wilmington, Delaware, USA

Crafting EP

40. The World ConspiresBirdeatsbaby — Brighton, England, UK

The World Conspires

41. TranscendHello, Mountain — Denver, Colorado, USA

Transcend

42. Spiral DownBlue Velvet Drapes — Los Angeles, California, USA

Spiral Down

43. RedeemerRed Handed Denial — Toronto, Ontario, Canada

Redeemer

44. MaladjustedMy Secret Haven — Warsaw, Poland

Maladjusted

45. Glitter TrailsGlitter Trails — Los Angeles, California, USA

Glitter Trails

46. MemoriasCarla Monterrubio — Mexico City, Mexico

Memorias

47. The TollDUSK — Vienna, Austria

The Toll

48. Manic EPLie to Life — Detroit, Michigan, USA

Manic EP

49. Genetic NobodiesGenetic Nobodies — Los Angeles, California, USA

Genetic Nobodies

50. Skull FlowerJohn Tessier — Paris, France

Skull Flower

51. UnbreakableKeep Flying — New Jersey, USA

Unbreakable

52. Scream In My DreamStrangers In The Attic — Zurich, Switzerland

Scream in My Dream

53. Stories in TimeTime Jugglers — Sofia, Bulgaria

Stories in Time

54. A New DawnAltHero — Santa Cruz De Tenerife, Spain

A New Dawn

55. On A FlowBreitenbach — Frankfurt, Germany

On a Flow

56. L’hameçonATHECIO — Lyon, France

L'hamecon

57. Dusky WingDusky Wing — Los Angeles, California, USA

Dusky Wing

58. PALIMONY EPPALIMONY — Gainesville, Florida, USA

Palimony EP

59. On FencesBetween Bodies — Berlin, Germany

On Fences

60. DormancyPlaying Pretend — Philadelphia, Pennsylvania, USA

Dormancy

61. Woodland RitesGreen Lung — London, England, UK

Woodland Rites

62. Peachy Keen EPGolden Cinema — Charlottetown, Prince Edward Island, Canada

Peachy Keen EP

63. ThunderjoyWest Valley Shakers — Sheridan, Oregon, USA

Thunderjoy

64. Queen of the PillThe Jackets — Bern, Switzerland

Queen of the Pill

65. After DarkPale Lips — Montreal, Quebec, Canada

After Dark

66. ErebusReturned To The Earth — Nuneaton, England, UK

Erebus

67. SchizophreniaAltersight — Saint Petersburg, Russia

Schizophrenia

68. IVOMAHA — Toronto, Ontario, Canada

IV

69. EgressTopLady  — Tulsa, Oklahoma, USA

Egress

70. Blind by MidnightDino Bravo — Burlington, Vermont, USA

Blind by Midnight

71. Cool EvilGlued — St. Louis, Missouri, USA

Cool Evil

72. StressorWine Lips — Toronto, Ontario, Canada

Stressor

73. Here It IsFragile Canyons — Minneapolis, Minnesota, USA

Here It Is

74. Feels Like ForeverPretty Bird — Indianapolis, Indiana, USA

Feels Like Forever

75. Larmes ConfettisCosmophone — Trois-Rivières, Quebec, Canada

Larmes confettis

76. UNOBlack Betty — Villa Maria, Argentina

UNO

77. The GhostwriterThe Ghostwriter — Detroit, Michigan, USA

The Ghostwriter

78. Pen NamePen Name — Canterbury, England, UK

Pen Name

79. Hoping, Not HopefulLow Vault — Baltimore, Maryland, USA

Hoping, Not Hopeful

80. Planet HunterPlanet Hunter — Wellington, New Zealand

Planet Hunter

81. Butterfly DistortionDive to Blue — Buenos Aires, Argentina

Butterfly Distortion

82. Take Her My LifeCastle Black — Brooklyn, New York, USA

Take Her My Life

83. Starburst – EPTruett & The Traitors — Springfield, Missouri, USA

Starburts EP

84. GoMoND — Bandung, Indonesia

Go

85. A War WithinEnmy — Cincinnati, Ohio, USA

A War Within

86. The Devil You KnowThe Coathangers — Atlanta, Georgia, USA

The Devil You Know

87. Manic MoodEasy Jane — Beirut, Lebanon

Manic Mood

88. DemonstrationFloral Canyon — Phoenix, Arizona, USA

Demonstration

89. ExhaleThe Sleep Department — Brooklyn, New York, USA

Exhale

90. epSoft Topics — Minneapolis, Minnesota, USA

ep

91. SPLASH – EPService Delay — Toronto, Ontario, Canada

Splash EP

92. Welcome to the BlockStonewall BLVD — Denver, Colorado, USA

Welcome to the Block

93. The New Joys E.P.The New Joys — Brooklyn, New York, USA

The New Joys EP

94. SuperfuzzSuperfuzz — A Coruña, Spain

Superfuzz

95. OvernightInsomnia — Milan, Italy

Overnight

96. EP 2019Dischord — Aix En Provence, France

EP 2019

97. Young & DumbAll In Due Time — New York, New York, USA

Young and Dumb

98. Indeed EPIndeed — Budapest, Hungary

Indeed ep

99. MuralMural — Cebu, The Philippines

Mural

100. No Missed Calls, No New MessagesThe Ragetones — Pueblo, Colorado, USA

No Missed Calls

***

If you enjoyed this list please share and give these artists some love!

If You’re Not Doing These 3 Simple Things on LinkedIn, You’re Missing Out

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Underutilized Tools! 😱

Everyone knows that LinkedIn is a highly underutilized platform and that it’s got the power to expand your network exponentially.

…Or at least that’s what we LinkedIn power-users may think sometimes.

The truth is that we who use LinkedIn daily—hourly—can sometimes develop a skewed view of how other users are utilizing the platform. We often assume that the value we see (and experience!) in LinkedIn is inherent, and as such, that it’s apparent to others in the same way.

A trend that I’ve seen lately, however, and that I’m thrilled to engage in is helping newer users “crack” LinkedIn so that they can experience the same sort of value that I and so many others do.

So, in the spirit of “sharing is caring,” here are 3 (three) dead simple things that you can and should be doing on LinkedIn.

Otherwise, you’re missing out!

 

Video 📽️

Okay, let’s get this one out of the way first. If you’re not producing video, you’re missing out.

There’s no nicer way to put it because it’s becoming a mainstay of LinkedIn content.

I’ve heard from some people that they’re nervous about using video because it may not seem “professional” enough (as compared to other LinkedIn power-users) or that they may not be comfortable in front of a camera.

To this I say: I get it and I know where you’re coming from!

I sometimes feel a little intimidated too, but the key thing to remember is that people will ultimately show up for your content because you are (hopefully) creating value for them. This is what should be driving any part of your content production strategy.

Takeaway: produce video! Even a weekly video with the right amount of passion and value is a fantastic time investment. I’d suggest trying to keep it under 1:30—I’ve found that to be about the mental timeout.

(Bonus: If you have access to LinkedIn LIVE, use it! I’m still waiting for access (hint, hint to my friends working at LinkedIn 😉), but I think it’s a great tool to really drive home your message in an authentic way when you find your rhythm.)

 

Voice Messages 🎙️

I’m still shocked that this one is so highly (criminally!) underutilized. It’s really one of LinkedIn’s best-kept secrets.

The voice message feature is only available to send through the mobile app (though you can still listen on desktop).

And It. Is. Brilliant! 🚀

Sending someone a short voice message (you have up to 60 seconds total record time) virtually guarantees that someone will open your message and listen to it. It’s basically changed how I approach new people (especially power-users I wanna connect with, hint, hint!) and communicate with new followers.

Wanna know why it’s so powerful?

Because people respond to the conversational aspect.

In my experience, I’ve found that a few key opening lines virtually guarantee that not only will that power-user listen to my message, but will often respond with a voice message of their own.

Boom! There’s the opening of a conversation that can then grow in interesting directions.

 

Comment Responses ✍️

Lastly, there is the strategy of comment responses.

Now, this strategy requires that you actually produce content on a consistent basis (daily, weekly, etc.), which, if you’re not doing…well, you need to be doing.

But this is certainly one of the easiest (if somewhat time-consuming) strategies to really up your engagement.

If you’re producing that right kind of content that engages people, you’ll hopefully be getting comments on your posts. Even a few comments is a good place to start.

So I’ll say this slowly:

Respond. To. All Of. Them.

Or as many as your poor little fingers can handle before giving out and completely falling off haha.

Responding to my comment on your post tells me that you value my input and recognize the time I took to write something. Me seeing your response makes me want to continue to engage with your other posts with more comments.

Dead simple strategy—HUGELY effective.

Oh, and something like “Thanks Adam” is a copout of a response.

Unless you’re a power-user getting thousands of comments (and if you’re reading this, you may not be there yet), you have no reason not to take 15 minutes (total, not apiece) to respond to each of the 5 comments on your post thoughtfully.

If those 5 thoughtful responses create value, then you’ve succeeded.

Don’t get hung up on the numbers; if you’re building bridges the right way, all those vanity metrics will work themselves out.

 

Bottom Line 📈

So remember, the bottom line is that these are 3 dead simple ways to increase your LinkedIn footprint precisely because they are so simple. You don’t need a large production team or thousands of followers—you just need some great ideas for content and a desire to build relationships patiently and positively.

You get to those “thousands of followers” by doubling-down on the simple things:

  1. Video
  2. Voice Messages
  3. Comment Responses

The other details will iron out in time.

Be well my friends!

Follow me on LinkedIn and Twitter at @adammarx13.

And continue to #LookForTheOrangeSunglasses! 😎

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2018: A Year in Review

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Back in January, I set a list of goals for myself this year.

It may have been a bit lofty, but I am nonetheless proud of what I got done this year. I achieved some of them, and some of them I’m reinstating for next year. But life is about more than just work goals — here are some of the highlights of my 2018. 👍

January

I opened January with a slew of great projects. I continued writing for Crunchbase News, writing more on Spotify as they approached this April direct listing. My dad then proceeded to make a joke about the direct listing — I’m still laughing. 😂

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A week later, I followed that with some interesting editing work on Andy Sparks’ new Holloway project.

January capped with a great talk from Arlan Hamilton here in Atlanta, which of course I enjoyed attending. It was great to see Arlan again and hear her backstory — “inspiring” barely begins to appropriately describe it. 🙌

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Though I didn’t publish too many Minimum Viable Network pieces this year, one of the ones I’m most proud of drew heavily on my experience during Arlan’s talk. I begin to think a lot more about the power of ubiquity.

I finally said goodbye to my iPhone 4S. 📱

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Remember that time at the Product Hunt party last year that Eric Willis was poking fun at me for still being the only person in tech with one? 😂😱

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I snagged an invite to the Atlanta Jewish Film festival — they made me wear a tie. 😱 👔

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February & March

February was slow, but in March, I took a break from Atlanta for a few days to fly up to D.C. for the gun reform march — the March for Our Lives speakers were amazing to hear in person.

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My college friend and I caught some culture at the Smithsonian.

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A week later, March ended on a high note when I had the pleasure of meeting Randi Zuckerberg following her talk at Georgia State. 👏

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April

In April, I started becoming much more vocal about harassment, diversity, inclusivity, and accessibility. I’ve been a huge supporter of Backstage Capital since I learned about their mission, and I believe equally as much in the work being done by Aileen Lee, Jenny Lefcourt, and others at AllRaise.org. I’m happy to be an ally in whatever way I can and will continue to be loud about changes which need to be made. I’m similarly inspired by and have become an ardent supporter of the work that Melinda Epler & Wayne Sutton are doing with Change Catalysts (plus their partnership with Backstage is fantastic!). 🤔

I saw some of my closest college friends in New Jersey and considered leaving tech for a future in modeling. Then reality set in. 😂

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I published my last piece on time & money before taking a long, well-deserved break from writing.

I made a meme.

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May

Right around mid-May, I hit a wall. I was having a hard time fighting past some anxiety and depression. I was having constant conversations with some of my closest friends and supporters, to whom I will always be grateful. But I realized that conversations may not be enough, and perhaps some fresh air was in order. So I took a break from Atlanta and worked on changing my perspective.

June

I flew out to the Bay Area and got to see Kiki Schirr again (she also hosted me, which means she’s a special kind of saint lol). Day 1, I had lunch with my super-patient editor Alex Wilhelm and he gave me a tour of the Crunchbase offices! 👍

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I finally got to meet Ken Yeung in person after many months of snarky Twitter comments. He’s just as snarky in person. 😱

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I drank a lot of Philz Coffee. A lot. ☕

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Coffee with Barrett Daniels, who’s become a close friend and confidant, and with Rei Wang, someone whom I think is doing fantastic work with new founders. Then got to drop by and finally meet Ruben Harris in person! 🚀

Lunch again with Adam Singer, and got to hit up his album release party! It ended up making my list of new albums this year (see below). There was a lot of snark and even more discussion about music than we normally touch on.

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I meandered down to San Jose and had lunch with Poornima Vijayashanker, who’s been both a pivotal influence on my understanding of accessibility in tech, and an amazing friend. 🤗

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I hit up Sacramento for some awesome hiking with college friends.

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July

Then came some time in Chicago, where I had some awesome pizza with fellow Crunchbse News writer Jason Rowley. He’s got great taste in pizza places. 🍕

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I hung out with a college friend I hadn’t seen in years.

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I met Cory Warfield, who’s become a close friend and mentor, and has completely turned me on to using LinkedIn in a new way. 🙌

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Got back to Atlanta just in time to go meet Emily Best— her company Seed&Spark was putting on a great event here in Atlanta. 📽

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I finally met Andrea Hernandez in person at an event here in Atlanta to promote more women in tech and business. 👏

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I saw the March for Our Lives speakers at their town hall here in Atlanta.

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I snagged tickets to *the FINAL* Warped Tour here in Atlanta. Got to see Less Than Jake, Reel Big Fish, Simple Plan, The Red Jumpsuit Apparatus, Mayday Parade, August Burns Red, and The Interrupters. 🤘🎸

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August & September

In September, I had the super pleasure of meeting Jim Augustine— COO of Zuckerberg Media— when Sue’s Tech Kitchen came to do their event in Atlanta. 👍

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I spent a lot of time thinking about anxiety & depression, and talking about how to address these issues in a much more pointed and accepting way. I am more thankful than I could really even articulate to those of my friends— especially those in the startup/tech world— who have supported me through these challenges in my own life. To Kiki Schirr, Alex Wilhelm, Jason Rowley, Christina Warren, Nikki DeMere, Poornima Vijyashanker, Adam Singer, Espree Devora, Nick Abouzeid, Bryan Landers, Cory Warfield, and numerous others who have helped me find a more positive mindset this year, I am eternally grateful. 🤔🤗🙌

October

I voted early—  there are big things coming in the near future for Georgia. 🗳

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Halloween encouraged me to wear a tie more often ha. 😉 👔

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November

Hit up New Jersey for Thanksgiving break and Kerry Flynn took me to an awesome bar! We talked tech, music, and going to school in Boston. 🤘

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Some family time at Ellis Island. This has inspired my sister to start researching our family history and in the last few weeks, we’ve all learned things we never knew!

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Then the siblings and I pretty much froze at the Statue of Liberty. 🗽

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I returned from my six-month break from writing, and damn it felt good.

I’ve been exploring new projects with some awesome people— we’ll see what picks up in the new year.

December

I doubled down on Atlanta.

And I capped off this year with my new list of “100 Independent Albums & EP’s” that you all probably missed at some point.  😎🎸

Reflecting on 2018

The second half of 2017 was extremely hard for me for a number of reasons and I tried to enter 2018 with a new mindset. Nothing ever goes 100% according to plan, and I had a couple stumbles this year. But I’ve grown my network, cultivated deeper relationships, tried to create as much value as I could, created new things, and became determined to live my life in a more positive way. None of these things happen overnight, but it’s all about the journey.

Be well all, keep moving forward!

Bring on 2019! 😎🎉

 

 

 

 

 

100 Awesome Independent Album and EP Releases You Probably Missed in 2018

Another December just about passed, and another 100 independent albums and EP’s you probably missed this year. In any artistic industry, so much of the exciting content flies quietly under the radar, except for when you know where to look for it. 🤘🎸

Since 2015, I’ve given you lists of 100 independent albums and EP’s you probably missed during the year. Here they are:

Now here comes 2018’s. I’m so stoked for the new crop of artists here, as well as for those returning again. A lot of the content on this year’s list comes from artists I’ve known for years, producing music for new projects they’ve put together recently. This is a different kind of excitement; I love seeing the evolution of these creatives.

As with all previous lists, these 100 albums and EP’s come from artists all over the world. This year’s list includes artists from: Canada, Greece, Germany, South Korea, Belarus, Austria, Singapore, France, South Africa, Sweden, Australia, Norway, Spain, Estonia, Ukraine, Italy, the U.K., Switzerland, Russia, and 22 different U.S. states. The independent world is massive.

It’s always interesting to see what each year brings in terms of style and genre, and 2018 seems to have been heavy on punk, pop-punk, alternative, instrumental, metal, and jazz-influenced material, both in terms of my personal taste and overall releases.

With all that said, here are 100 of the independent albums and EP’s that you probably missed in 2018. All were released during the 2018 calendar year. Music is multidimensional, and all these artists should be treated as such.

As always, albums are in no particular order.

Come expand your universe and live in my world for a little while. 😎👍

1. Satellites — Chelsea Shag — Atlanta, Georgia, USA

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2. Painting with Scissors — Andy Gruhin — Silver Spring, Maryland, USA

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3. Feels — Fair Panic — Wayne, New Jersey, USA

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4. Overseas — White Coven — Zaragoza, Spain

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5. Hannah Wicklund & The Steppin Stones — Hannah Wicklund & The Steppin Stones — Nashville, Tennessee, USA

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6. Dreamland — Just Like Honey — New York, New York, USA

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7. Personal Issues — Oh See Demons — Bergen, Norway

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8. My Only Hope — Adam Singer — San Francisco, California, USA

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9.  Mind Tricks — Brownstone Inc. — Graz, Austria

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10. Thriving, Given The Consequences — Soviet Ohio — Syracuse, New York, USA

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11. In Moon We TrustHālley — Paris, France

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12. What The Wreck? — Stan Stewart — Ithaca, New York, USA

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13. Poor You, Part Two — Jinxbox — Middlebury, Vermont, USA

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14. Centipede – EP — Blooming Fire — Los Angeles, California, USA

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15. The Candleman and the Curtain — The Earth and I — Warwick, New York, USA

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16. Everyone I’ve Ever LovedValleyheart — Salem, Massachusetts, USA

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17. Kingdoms — Coopertheband — Nashville, Tennessee, USA

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18. Self Titled — Alias May — Melbourne, Australia

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19. Make My Millennium — Resident One — Atlanta, Georgia, USA

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20. FunnySexyCoolHollywood Horses — Birmingham, Alabama, USA

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21. .ghostworld – EP — .ghostworld — Singapore, Singapore

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22. Heaven and Her Demons — BlackBeak — Johannesburg, South Africa

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23. Wherever That IsPanhandler — Stockholm, Sweden

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24. White Roses EP — Dream Chambers — Nashville, Tennessee, USA

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25. Soul Transfer — Emphasis — Tallin, Estonia

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26. Westline Drive EP — Westline Drive — San Francisco, California, USA

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27. EP — Lampion — Montreal, Quebec, Canada

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28. Salvation — The Penske File — Burlington, Ontario, Canada

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29. Hypnotizing Euphoria — The Who Was Phone — Zurich, Switzerland

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30. Bridges – EP — For The Fire — Indianapolis, Indiana, USA

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31. Disposition — Young Animals — St. Louis, Missouri, USA

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32. Glow In The Dark — Rachel Rose Mitchell — Melbourne, Australia

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33. Dear Beer — The Bombpops — Los Angeles, California, USA

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34. Aftermind — HighView — Canberra, Australia

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35. It’s History, It’s Poetry — Detour North — Chicago, Illinois, USA

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36. Voices in My Head — Failing Up — Los Angeles, California, USA

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37. Omega — Shades of Dissonance — Minneapolis, Minnesota, USA

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38. From the Wild Sky — Halie Loren — Eugene, Oregon, USA

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39. Up in Roses — Fever — Portland, Oregon, USA

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40. Passing Years — Looking For Alaska — Regensburg, Germany

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41. Desire Paths — Turnspit — Chicago, Illinois, USA

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42. Absolution EP — Keating — Columbus, Ohio, USA

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43. The Fallen King — Frozen Crown — Milan, Italy

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44. Heartwoken EP — The Revies — Los Angeles, California, USA

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45. Amnesiatic — ODD ROBOT — Fullerton, California, USA

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46. Everything Is Temporary — Between You & Me — Melbourne, Australia

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47. Duoyu — Duoyu — Athens, Greece

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48. Six People in a Dream — Baronaqua — Melbourne, Australia

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49. Hometown Static — Second Street — Kansas City, Missouri, USA

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50. Happy Thoughts — Midfield — Philadelphia, Pennsylvania, USA

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51. Becoming a Ghost — Becoming a Ghost — Troy, New York, USA

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52. BedtimePawn Pawn — Toledo, Ohio, USA

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53. Alliance — We Call The Shots — Phoenix, Arizona, USA

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54. Mother’s Keeper — Mother’s Keeper — Birmingham, Alabama, USA

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55. Is an EP — THIS — Buffalo, New York, USA

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56. Distraction EP — Paper Citizen — Boston, Massachusetts, USA

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57. Nostalgia — deerfield. — Syracuse, New York, USA

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58. Street Talk — Big White — Sydney, Australia

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59. For Me This Time — Analog Heart — Boston, Massachusetts, USA

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60. While We DreamLights & Motion — Gothenburg, Sweden

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61. Raw SugarL’Absence — Zaragoza, Spain

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62. TamelessBuffalo Rampage — Moscow, Russia

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63. Never Asked for It EPSorry, Scout — St. Louis, Missouri, USA

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64. Old SoulSharp Sleeves — Blacksburg, Virginia, USA

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65. Aspire — VENUES — Stuttgart, Germany

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66. From Blue to BoneMama Doom — Poughkeepsie, New York, USA

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67. Heart Whispers (EP) — Grace & the Midnight Angel — Clovis, California, USA

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68. Cirque Du SkankSkunk Funk — American Canyon, California, USA

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69. Spring Silver EP — Spring Silver — Silver Spring, Maryland, USA

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70. The View From HereStealing Home — Concord, California, USA

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71. Weird’N’ConfusedAppocaloosers — Madrid, Spain

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72. InceptionWallbangers — Nantes, France

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73. Wanderlust EPGrowling Rabbit — Minsk, Belarus

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74. Paper SaintsPaper Saints — Dallas, Texas, USA

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75. Spinneret EPJEM — Singapore, Singapore

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76. Cashmore DemosCashmore — Brisbane, Australia

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77. DakotaGo Murphy — Fargo, North Dakota, USA

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78. Categories of ColourEither/Or — Vancouver, British Columbia, Canada

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79. FacadeBoxford — Virginia Beach, Virginia, USA

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80. Casual CornerBlesst Chest — Portland, Oregon, USA

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81. Paper HeartsThe Brothers Union — Asbury Park, New Jersey, USA

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82. New RuinsCandace — Portland, Oregon, USA

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83. Growing PainEnvious View — Springfield, Missouri, USA

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84. Hangin’ On!The Glycereens — Brisbane, Australia

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85. Digital EPAnemoria — Fullerton, California, USA

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86. AgonizeSever The Ear — Gwangju, South Korea

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87. Laugh It Off!Domino & the Derelicts — San Jose, California, USA

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88. Glass BonesWolvesMouth — Voorhees, New Jersey, USA

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89. AshesLed By Lanterns — Birmingham, England, UK

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90. A Quiet Riot Vol. 1We Are Riot — Bremen, Germany

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91. Membership DuesSad Girlz Club — San Francisco, California, USA

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92. Broken CodesIn Parallel — Nashville, Tennessee, USA

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93. The Deep Sleep — Unveil — Sherebrooke, Quebec, Canada

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94. The NexstoneThe Nexstone — Kramatorsk, Ukraine

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95. Comfort Zone — Superhaunted — Miami, Florida, USA

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96. Fault Lines EPAeve Ribbons — Manchester, England, UK

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97. Visions EP — Noise Maze — Udine, Italy

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98.The Outer Space (EP)Fallcie — Saint Petersburg, Russia

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99. JarenJenn’s Apartment — Lansing, Michigan, USA

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100. Nothing LeftMy Favorite Fault — Moscow, Russia

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If you enjoyed this please share, and feel free to Tweet me. Let’s talk music and tech!

Atlanta: Signs of the Next Major Tech Hub

Atlanta, Georgia, USA downtown skyline.

The Question

Almost two full years ago, in January of 2017, Ryan Hoover asked me what the tech scene in Atlanta was like. I was in San Francisco, and had flown across the country (on a very cheap ticket!) to attend Product Hunt’s celebration party following its AngelList acquisition. We were hanging out on the upper floor of the venue, me, trying to look like I belonged there, and he, casually leaning against a wall, gratefully shaking hands with everyone who wanted a picture with him.

I was actually caught off guard a bit because, frankly, I didn’t know too much about the Atlanta tech scene at the time. I’d grown up here, but left for college in Boston, and if I’m being honest, I only meandered back here after school because of family & the post-college reality of starting a company with essentially no money. As much as I enjoyed my childhood, I’ve never been much of an “Atlanta guy” — I’m a Mets & Red Sox fan (for the rare times I watch sports), I like the cold, and I yearn for the deadpan, brash humor of the Northeast. But I recognized financial reality and made the best of my situation.

The truth was that I hadn’t really invested much time or effort into exploring the Atlanta tech scene. I was head-down working on my music startup, so I was spending more time wiring myself up in the music industry than the startup world. Additionally, everything in 2014-2017 was (or seemed to be) San Francisco, New York, L.A., or Seattle, and that’s where my head was too. I figured it was only a matter of time until I left Atlanta.

From Bust to Boom

Part of the frustration I felt personally during this period was how the tech scene here felt & the tech press seemed to view Atlanta after Yik Yak’s failure: “well we tried, but Atlanta’s not ready for real tech investment yet,” despite our having TechStars, MailChimp, and Calendly, among others. This coupled with “go to California, that’s where all the money is” mentality.

But things change. Calendly has grown. MailChimp is a bona fide unicorn. Salesforce is building Salesforce Tower downtown. And now, Walker & Company Brands is moving here, following their sale to Procter & Gamble. And these are just the names many people are familiar with; there are others, blooming down at the Tech Village, scattered around Buckhead and Midtown, popping up around Tech Square, and nesting outside the Perimeter (OTP) in Dunwoody and Sandy Springs.

On the Cusp

Atlanta is fast becoming a tech hub for crypto, SaaS, and media startups. Yet it’s still not mentioned in the same breath as Austin or Denver. Why this is could be a topic for debate, but what ultimately matters is that 2019 will bring a new sense of tech startup intrigue to Atlanta. Warm weather, affordable housing, and ready pools of talent from at least 5 major universities in town (Emory, Georgia Tech, Georgia State, Spelman, & Morehouse) — not to mentioned UGA just over an hour away — are some of the unavoidable perks of the city.  And, we’ll begin the year on the tail of a major acquisition coup.

What’s missing — at the moment — is the same sort of starry-eyed, dare-to-dream-it dynamic which pervades tech in SF and NYC. Yes, we have SaaS meetups, startup chowdowns, and interesting groups which meet in the rooms of the Tech Village.

But what we really need to invest in are the more abstract, informal meetups, dinners, and coffee-shop interactions which don’t require reserving a room or having a planned discussion for each get-together. It’s these more abstract, informal dynamics which will generate some of the most exciting ideas, build reputations & relationships, and draw investment to the city in a way that’s more representative of the “dare to dream, go for broke” feel of Silicon Valley.

The Next Crop

As with everything, there will rise a set of core voices and personalities who help shape this new era of tech in Atlanta. They will be the people who just “seem to be everywhere,” seem to know everyone, and have a vision for how to transform the city in the next 5-10 years. It will be interesting to see who’s included on this short list.

I expect that we will soon be seeing more tech conferences here as this new mentality sets in. And while I may not start rooting for the Braves anytime soon, I will nonetheless have my eyes peeled for this group of individuals with the vision to make Atlanta the next great tech hub.

I’m a Writer—Here’s Why I’ve Taken a Six-Month Break From Writing

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The Writer’s Rub

It’s been about half a year since my last real essay or post. I took almost the entire summer and autumn off from writing full-length essays, response posts, and even shorter thought pieces. It feels—and maybe seems—that the only things I’ve been writing this summer have been tweets and LinkedIn posts.

This might seem odd for a writer—after all, writers are supposed to write consistently and be able to produce high-level content with each topic they cover. But here’s the rub; writers are also human. We hit walls, experience burnout, and need breaks like everyone else—especially those who are motivated to produce content at break-neck speed.

And damn was I burned out.

Where Startups and Writing Diverge

In startups and tech development, there’s the notion of “ship early and often.” It doesn’t matter if the first version has bugs (it will always have bugs) or if it’s a little unfocused; there’s time to fix all that junk later. The important thing is shipping, and your perfectionism is holding you back.

The same cannot (and in my opinion, should not) be said of writing. Yes, if you’re a writer or content producer you should employ every tool at your disposal to produce content at a consistent pace. But the “bugs” that exist in writing are a different breed than those of the “ship early, ship often” startup world; pieces aren’t supposed to go out sloppily written, half-focused, and “all over the place” as my mom would say. They’re supposed to be tight and bullet-proof, however you define that. In some ways, Alexis Ohanian addressed this issue in tech recently with his statements on “hustle porn.

Don’t Be Forgettable; Be Magnetic

To maintain this self-defined standard, sometimes the answer is that you simply can’t consistently produce at break-neck speed; sometimes you need a break to recharge and find new ideas and motivation. This is the frustrating, unsexy aspect of writing. It’s what happens behind your closed mental doors, and perhaps the thing that has the potential to make you feel like you’re “not a real writer.”

Stave off this thought and instead focus your energy on recharging. Come back to the writing when you have something real to say. People can always tell when you’re writing just for the sake of filling a quota.

Spoiler alert: that kind of writing is boring and ultimately forgettable. Don’t be forgettable; be magnetic.

All of this is to say that it feels damn good to be back. 😎👍

Time and Money As a Function of People

People: The Uncertainty Factor

Last week, Fred Wilson wrote a post about time and money, and how to value each of them against one another within the context of investing. In it, he broke down a series of considerations which each impact the time-money balance. Rereading through it again, though, it occurs to me that a lot of Fred’s considerations also point to another, perhaps more subtle factor: people.

The people factor weighs heavily on the time-money dynamic, and arguably has the potential to significantly alter one’s perceived outcome. Inasmuch as the time-money assessment is predicated on the concept of effort—that is, how much effort one must put in to a venture in order to effectively procure a sufficient return for one’s investment (both time and money herein)—that effort is nonetheless dictated (or at least impacted) by the people around whom it centers.

Much of Fred’s argument—broken down amongst four examples—revolves around the notion of uncertainty as it applies to people. Uncertainty in this case (or these cases) stems from the fact that people are inherently different, and what holds true for one may not necessarily hold true across the board.

This is why so many investors articulate “the founder/team” as one of the most important factors—if not the most important factor—in their decision to invest. As Hunter Walk notes in his response piece to Fred’s post: “…we don’t invest in people we don’t want to spend time with, even if it could be a profitable investment.” Herein, the investors clearly value their time simply as a function of the personal connection they feel with the founder(s).

The Value of Evaluating Relationships

Yet as Fred notes, the reverse is true too: founders are just as much playing a “game of people” as investors are—the return on an investor’s value to a founder most times goes far beyond the money. The investor is similarly in the position of proving to the founder(s) that s/he is able to balance his or her portfolio while still delivering the necessary value to the startup company.

Evaluating people and relationships helps to assuage the challenges on both sides of this equation. When people learn to know what they’re looking for in a partner (be it a founder in an investor or vice versa)—and to articulate that to themselves, their team, and prospective collaborators—they are able to dramatically increase the value factor in the overall equation. This directly affects the time-money portion of the equation. An investor’s time is better utilized because the founder(s) can communicate their needs and vision, and thus deploy the investor’s money in a more focused manner (all while keeping open lines of communication as to how and why certain strategies might have been taken). The dollar value of the investor’s money thus increases, which increases (again) the value of their time input.

All of these factors work similarly axiomatically for founders looking to extract the most value from their potential investors.

Who You “Click” With

The evaluation of people—being able to discern who you “click” with and the type of personality which best fits your portfolio (or startup) strategy—is key in evaluating one’s time commitment to a project. The time-factor, which Fred articulates should be priced into early-stage investing math, can in fact be thought of as the people-factor. In the early stages especially, the clear dollar value of a company may not be readily apparent and some other—perhaps less tangible—metric may be necessary to consult. This is the people-assessment—this is the scenario in which investors are rife to say, “there was just some ‘It’ factor about her resilience” or “her charisma just sold me on the idea.”

This is not a shot-in-the-dark decision; it’s often a carefully calculated decision that is based less on spreadsheet numbers and more on personality—the potential we’re all theoretically (hopefully) capable of. This is a honed skill—gut feelings about people are as real as any metric and have the potential to return value on time and money investment as much as anything else in the decision process.

Time and money are very concrete things, but like so much else in life, their value can be drastically affected when they are thought of as a function of people.

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Find me on Twitter @adammarx13 and let’s talk music, tech, and business!

Why I Continue to Be Loud About Female-Inclusivity Initiatives in Tech & Business

Over the last few months, I have grown increasingly loud about my support for initiatives that foster diversity and inclusion in tech & business. This has been especially true over the last couple months as I’ve watched what started out as Female Founder Office Hours culminate now in AllRaise.org. What I wanted to see grow and expand—a push from female VC’s like Megan Quinn, Aileen Lee, Jenny Lefcourt, Jess Lee, and their team members to bring more women into tech and foster a support system for them—has indeed now germinated into a force (and I can’t help but be amazed at what they & their allies have already accomplished in such a short period). I’ve written a response piece to AllRaise’s announced launch already, but sometimes one statement of support just isn’t enough.

I came into tech almost accidentally from the music world. That’s really my wheelhouse and one of the main industries I continue to build for and strive to impact. But lately, I’ve been running a thought experiment: is there theoretically anything that could make me walk away from music, even for a little bit?

Recently, I’ve come to the answer that yes, there is: diversity, inclusivity, and egalitarianism.

We’re at an inflection point now—the smart people realize that the future success of and in tech/business will be had by those who invite new perspectives and prize egalitarian dynamics. The future of the tech IPO no longer looks like a bunch of white guys huddled around a singular mindset. Now it looks exactly like Stitch Fix founder & CEO Katrina Lake holding her infant child ringing the bell to bring her company public—just as that picture was a metaphor for changing dynamics in tech, so too is an initiative like AllRaise key in helping usher in that new era of opportunities.

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So if I sound excitedly determined, it’s because I am. Because the historian in me can discern that we’re at the beginning of a new cycle rife with possibilities to have a more diverse tech and business universe than we’ve ever had before.

At the end of the day, I will always be the first to make a music reference, and this just has Riot Grrrl punk written all over it. It’s brilliant and I am 100% behind it.

Note: This post was (unsurprisingly) written while listening to Bikini Kill, Bratmobile, L7, Sleater-Kinney, and 7 Year Bitch. 🤘🤘

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Find me on Twitter @adammarx13 and let’s talk music, tech, and business!

Allies for AllRaise.org

Given my somewhat short break from writing since January, I was wondering what my first post back would be on, and if it would be a lengthy assessment or a short burst.

Short burst it is.

I’ve been following (and championing) very closely the initiatives proposed and undertaken by the group of amazing women behind (first) Female Founder Office Hours, (then) Founders For Change, (followed by) Women in VC community events, and (now) AllRaise.org. Reading Aileen Lee‘s post from yesterday, it’s clear to me that even as painfully slow as it sometimes feels, change is indeed happening. I have sought and want to be a part of the change. And I know there are others like me who do as well.

I have tried to stay keenly aware of my inherent white guy privilege and use that to the benefit of others. I can only be what I am, but I get to determine how that helps others without the same afforded benefits. I can be an ally for the scores of women and underrepresented founders (POC, LGBT+, etc.) who aren’t afforded the same benefits of the doubt off the bat which they should be, and I can similarly use whatever position I have to push for more egalitarianism. And that’s what I try to do daily.

With the announcement of AllRaise.org and its focused initiatives, it is my hope that there is and will be room for the (white & male) allies out there like myself who want to be a part of this new evolution. I am excited to see where something like this can go. We are in the midst of a massive paradigm shift—one which is long overdue in creating a more level field of merit, diversity, and inclusivity. Consider this my name in the AllRaise hat.

I encourage my white and male counterparts out there to afford Aileen’s post and this initiative a heavy dose of retweets and attention; this is the new direction. Be the person who gives the shots to people who otherwise might not get them, and bring attention to the fact that there is clearly work to be done here. Take it from a history major: there is a right side and a wrong side of history—you want to be on the former, not the latter.

To Aileen, the AllRaise team, and the other women, POC, LGBT+, etc. looking for allies: we’re here. Tell us what you need and how we can help. We’ll follow your lead.

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Find me on Twitter @adammarx13 and let’s talk music, tech, and business!

The Power of Ubiquity

An entry in the Minimum Viable Network series.


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I remember once telling an artist that if you want to be in the music industry, you need to be ubiquitous. Turns out the same is true for tech and startups. Who knew?

A few weeks ago, I attended a talk here in Atlanta during which Arlan Hamilton of Backstage Capital talked about how she broke into VC and how she’s driving her vision forward. As much as I enjoyed the talk, this post isn’t about that discussion. It’s about what transpired after.

After the Talk

Up until then, I’d been lucky enough to converse with a few of the amazing people at Backstage, other than Arlan. I’ve had a wonderful experience getting to know Partner & Chief of Staff Christie [Pitts] and Backstage podcast producer Bryan [Landers].

As neither Bryan nor Christie were in attendance at this event, though, after the talk wound down, I proceeded to go say hi to Dianne [Cherrez] and Chacho [Valadez], other Backstage team members I’d only interacted with briefly on Twitter. I received almost the same response from each (as if it was practiced ha!): “Adam…oh you’re Adam Marx! From Twitter!”

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Both were fantastic to meet, and clearly integral parts of the Backstage team. While other attendees asked Arlan questions, I spoke with Dianne about the normal stuff; how she got involved with Backstage, her role there, exciting things Backstage has going on, etc. During the course of our conversation, she matter-of-factly quipped, “You know, you’re just everywhere on Twitter…I don’t know where you find the energy.”

I’m paraphrasing, of course, but the point she was making stuck out to me: ubiquity matters — people notice.

Why Ubiquity Matters

When you’re setting out to build your network, whether it’s your Minimum Viable Network or a more mature version, ubiquity is a key factor in that network’s success.

It’s important to keep in mind that the term “ubiquity” might itself be somewhat of a misnomer; it’s not about actually being everywhere at once, all the time. It’s about appearing to be ubiquitous.

One reason that people remember ubiquity is precisely because of the immense time commitment it requires. Time is energy (and, as always, time is money)—indeed, time is ultimately your most precious commodity. Your time and attention are what businesses want, and what dwindle as you check off the basic boxes like your spouse, family, friends, coworkers, etc.

When people perceive you as ubiquitous in relation to their project or mission—especially when it’s characterized by a positive dynamic—it’s a (sometimes subconscious) recognition that tends to stick with them. 

Ubiquity and Reality

Of course, you can’t actually be everywhere at once, all the time. People are realistic and only an irrational person would believe otherwise.

Rather, it’s about creating a perception that you devote a significant portion of your time and energy (as much as one could ask, or even more) to something you’re really passionate about. This might be tuning in to a podcast weekly to tweet constructive thoughts (something I enjoy as well), volunteering one of your professional skills across a variety of projects (for me, editing and proofreading), or simply promoting a company whose product and/or mission really resonate with you. This type of long-term commitment to a mission creates the perception of ubiquity.

Ultimately, this is how you want people to think of you; as someone who just seems to consistently pop up at the right times. You don’t need to be associated with every project; but by being open to working on new opportunities, the natural side-effect is a quality of associated ubiquity. This creates a positive feedback loop of potential. 

The More People Create…

The wonderful thing about ubiquity is that as people create more things and start more projects, more opportunities are had to further one’s reputation as a thought-leader, team member, and colleague.

No doubt, many of these initial opportunities have the potential to germinate into extended relationships with the right cultivation. In this sense, the ubiquity becomes self-fulfilling; the more you “pop up” and people know you, the more people want to know you. This dynamic becomes naturally and iteratively expansive.

In the end, ubiquity is about a constant collection of “small victories” rather than pursuing a “one-and-done” approach to the opportunities before you.     

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Find me on Twitter @adammarx13 and let’s talk music, tech, and business!

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